Thayer Academy Juried Show

State: NH

Dimensions: 5 x 4
Please describe your printmaking process.: This image was made by combining linoleum cut technique with gelatin plate monotype.

State: MA

Dimensions: 12 x 16
Please describe your printmaking process.: This monoprint was made using collagraphs I created by first drawing the figures and then building up the collagraph form and printing them. On BFK Rives.

State: Maine

Dimensions: 16 x 16 x 1
Please describe your printmaking process.: A collagraph plate is created by using kitchen trash. Rather than using gel medium to adhere and create tone, I run the plate through an etching plate with heavy duty aluminum foil to create a metal plate. Inked with akua inks of various viscosities on Stonehenge.

State: MA

Dimensions: 16 x 14 x 1
Please describe your printmaking process.: Addition subtraction method

State: NH

Dimensions: 15 x 24
Please describe your printmaking process.: direct painting on plate transferred to archival paper by press.

State: CT

Dimensions: 20 x 17 x 0.1
Please describe your printmaking process.: background is rainbow rolled inked on plexiglass. Shapes are stencils inked/textured separately and printed together at once on top of the inked plexiglass. Tissue paper collage applied once ink has dried

State: CT

Dimensions: 22 x 30 x 0.1
Please describe your printmaking process.: the background was inked, texturized and transferred to paper on plexiglass. current and vintage papers were added as collage elements. the black line is a stencil that was separately inked and printed on top.

State: MA

Dimensions: 16 x 16 x 2
Please describe your printmaking process.: Monotype over-printing on deconstructed linoleum print, woven papers with dimensional cut-out elements

State: MA

Dimensions: 17 x 11 x 1
Please describe your printmaking process.: I inked plate using my own stencils to run the original print thru a press and then added collage elements.

State: MA

Dimensions: 6 x 6
Please describe your printmaking process.: Monoprint, collagraph, collage. Dimensions: unframed, paper is 12 x 12. From my "Latium" series, inspired by the monasteries at Subiaco (Italy). As the wild and rocky terrain meets the rushing Anio River at Subiaco the intermingled layers of the pagan and Christian world are revealed.

State: RI

Dimensions: 7 x 11 x 1
Please describe your printmaking process.: Rolling and painting the ink on a zinc plate, I reduce and add ink until I have the impression I desire

State: RI

Dimensions: 10 x 8 x 1
Please describe your printmaking process.: Monoprint on a zinc plate partially incised wiped and hand painted and drawn into prior to running through the press many times the resulting unique print influences the direction of the course the etching takes.

State: MA

Dimensions: 12 x 10
Please describe your printmaking process.: Transfers are made from a glass plate as well as parchment paper. Hand cut stencils are used from recurrent shapes. Oil based cold wax pigment and sumi inks are source of color. Collage elements are added.

State: MA

Dimensions: 19 x 15 x 1
Please describe your printmaking process.: Two plain lexan plates (8.5x8.5 inches) were inked with different colors, and patterns were made by the subtractive method of removing ink with various mark-making tools. The plates were then printed in layered succession. Finally, trace monotype drawing was added on top in two additional colors.

State: MA

Dimensions: 19 x 15 x 1
Please describe your printmaking process.: A plain lexan plate (8.5x8.5 in) was inked a solid color, then a trace monotype drawing was created on a sheet of lightweight paper. The ink/image that was left behind on the plate (the "negative trace") was then printed with an etching press to another sheet of heavier rag paper for this entry.

State: NY

Dimensions: 21 x 17
Please describe your printmaking process.: Hand-transferred printing inks, digital collage, mixed media, collage.

State: MA

Dimensions: 22 x 24 x 1
Please describe your printmaking process.: I ink a plexiglass plate and remove ink in some spaces to make a pattern. I sometimes use masking tape to block areas. I repeat the process till I am satisfied.

State: MA

Dimensions: 30 x 23 x 6
Please describe your printmaking process.: These are 3-D monotypes on watercolor paper. Using Akua inks and a Takach press, I printed on both sides of watercolor paper and then wet-folded the printed paper to create three-dimensional monotypes.

State: RI

Dimensions: 10 x 8
Please describe your printmaking process.: Monoprint created with stencils. Printed with Akua Inks on Rives BFK paper.

State: MA

Dimensions: 22 x 20 x 1
Please describe your printmaking process.: I use a stencil process, inking up the plate first and then inking up stencils and placing on the inked plate. I used the ghost of the first image in both a figurative and literal way to represent the melting and disappearance of the glaciers due to climate change.